Skip to main content

Australian Silversmiths - J.M Wendt (Part II)

A couple years ago, I posted about Adelaide's most prolific silversmith, J.M Wendt.  In that post, I showed pictures of two of his serviette rings.  Following I've posted a number of further examples.  As you can, he produced a variety of different types and used a number of different maker's marks.  These all date from the 1880s-1890s.

A lovely example of the Aesthetic movement. Circe 1880

One modelled on a belt bucket.  These are among the most collectable

Bright-cut engraving of leaves on this one.  And note this is while he had shops in
Adelaide and Broken Hill.  c.1890

An bright-cut pattern.

Plain serviette rings, but what great initialling!

Another example showing influence from the Aesthetic Movement.

Comments

Rebecca said…
This is very interesting. I particularly liked the Belt Buckle item.

Popular posts from this blog

Women Silversmiths - Dorothy Langlands of Newcastle

Did you know that there have been women silversmiths for hundreds of years?   Women have been noted as silversmiths for hundreds of years.  Widows would often continue on the business of their husbands (often placing their maker's mark in a lozenge) and daughters would enter business partnerships with relatives also in the trade.  Dorothy Langlands was a widow who continued business for 10 years after her husbands death.   For sixty years the Langlands family were the largest manufacturers of silverware in Newcastle, England.   Dorothy Langlands  was the wife of John Langlands II and she took over her husband's business in 1804 when he died. She retired in 1814 and died in 1845.  This means we can date all silver marked with her maker's mark (D.L) to 1804-1814.  This is helpful because a lot of smaller silver items would not have been stamped with the date letter.   Below are two examples of her work.  A nice pair of bright-cu...

What's the rarest? Silver from Scottish Provincial towns.

Antique Scottish Provincial silver is one of the most interesting and confusing areas of silver collecting. There were numerous towns that were producing silver in the eighteenth and nineteenth centuries. There were no regulations governing these towns, so each town (or silversmith) came up with their own marks. These were often related to town symbols or coat of arms. It is often the question of rarity that wildly affects the value for these pieces of silver. Below is a table of suggested rarity: Scarce Rare Very Rare Aberdeen Arbroath Cupar Dumfries Ballater Ellon Dundee Banff Fochabers Glasgow (pre-Assay office) Canongate Forres Inverness Elgin Leith Perth Greenock Nairn Iona Peterhead Montrose St. Andrews Paisley Stonehaven Tain Wick This list is published by antiquesilverspoons.co.uk and is based on the research of Richard Turner (who's book, A Directory of Scottish Provincial Silversmiths and Their Ma...